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DAFx-08
/ Accepted papers
11th International Conference | |||||||||||
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The following 65 papers have been accepted and will be presented at the DAFx-08 conference.
| Title | Author(s) |
| Asymmetric-Spectra Methods for Adaptive FM Synthesis | Victor Lazzarini, Joseph Timoney, Thomas Lysaght |
| Digital simulation of the diode ring modulator for musical applications | Richard Hoffmann-Burchardi |
| Dispersion Modulation using Allpass Filters | Jari Kleimola |
| Audio Synthesis by Bitwise Logical Modulation | Jari Kleimola |
| Coefficient modulated first-order allpass filter as distortion effect | Jussi Pekonen |
| Comb Filter Free Audio Mixing Using STFT Magnitude Spectra and Phase Estimation | Volker Gnann, Martin Spiertz |
| Improvement of Band Extension Technique for G.711 Telephony Speech Based on Full Wave Rectification | Naofumi Aoki |
| An Experimental Comparison of Time Delay Weights for Direction of Arrival Estimation | Tuomo W. Pirinen |
| Evaluating parameters of time-varying sinusoids by demodulation | Xue Wen, Mark Sandler |
| Robustness and independence of voice timbre features under live performance acoustic degradations | Dan Stowell, Mark Plumbley |
| Delay-free audio coding based on ADPCM and error feedback | Martin Holters, Christian R. Helmrich, Udo Zölzer |
| An Amplitude- and Frequency Modulation Vocoder for Audio Signal Processing | Sascha Disch, Bernd Edler |
| Direct Simulation for Wind Instrument Synthesis | Stefan Bilbao |
| Analysis-and-Manipulation Approach to Pitch and Duration of Musical Instrument Sounds without Distorting Timbral Characteristics | Takehiro Abe, Katsutoshi Itoyama, Kazuyoshi Yoshii, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno |
| Frame Level Audio Similarity - A Codebook Approach | Klaus Seyerlehner, Gerhard Widmer, Peter Knees |
| On the Numerical Solution of the 2D Wave Equation with Compact FDTD Schemes | Maarten van Walstijn, Konrad Kowalczyk |
| Improved control for selective minimization of masking using inter-channel dependancy effects | Enrique Perez Gonzalez, Joshua D. Reiss |
| Identification of Individual Guitar Sounds by Support Vector Machines | Kerstin Dosenbach, Wolfgang Fohl, Andreas Meisel |
| Generalization of the Derivative Analysis Method to Non-Stationary Sinusoidal Modeling | Sylvain Marchand, Philippe Depalle |
| Modulation and demodulation of steerable ultrasound beams for audio transmission and rendering | Mathias Barbagallo, Mendel Kleiner, Augusto Sarti |
| On the Window-Disjoint-Orthogonality of Speech Sources in Reverberant Humanoid Scenarios | Sylvia Schulz, Thorsten Herfet |
| Sliding with a constant Q | Russell Bradford, John ffitch, Richard Dobson |
| Vocal melody detection in the presence of pitched accompaniment using harmonic matching methods | Vishweshwara Rao, Preeti Rao |
| Real-Time Dissonancizers: Two Dissonance-Augmenting Audio Effects | Matthew Hoffman, Perry Cook |
| Improved Hidden Markov Model Partial Tracking Through Time-Frequency Analysis | Corey Kereliuk, Philippe Depalle |
| Audio analysis in PWGLSynth | Vesa Norilo, Mikael Laurson |
| Time Mosaics - An Image Processing Approach To Audio Visualization | Jessie Xin Zhang, Jacqueline Whalley, Stephen Brooks |
| Automated Rhythmic Transformation of Musical Audio | Jason Hockman, Matthew Davies, Juan Bello, Mark Plumbley |
| Two-step modal identification for increased resolution analysis of percussive sounds | Mathieu Lagrange, Bertrand Scherrer |
| Nonlinear modeling of a guitar loudspeaker cabinet | David Yeh, Balazs Bank, Matti Karjalainen |
| Simulating guitar distortion circuits by wave digital and Kirchhoff domain methods | David Yeh, Julius Smith |
| Computer-Generating Emotional Music: The Design of an Affective Music Algorithm | Isaac Wallis, Todd Ingalls, Ellen Campana |
| Modelling contact of solid objects by piece-wise linear approximation | Matthias Rath |
| A nonlinear digital model of the EMS VCS3 Voltage Controlled Filter | Marco Civolani, Federico Fontana |
| Analysis of piano tones using an inharmonic inverse comb filter | Heidi-Maria Lehtonen |
| An augmented reality audio headset | Miikka Tikander, Matti Karjalainen, Ville Riikonen |
| 3D interactive environment for music collection navigation | Rebecca Stewart, Mark Levy, Mark Sandler |
| On the control of the phase of resonant filters with applications to percussive sound modeling | Mathieu Lagrange, Nathan Whetsell, Philippe Depalle |
| Binaural Partial Tracking | Martin Raspaud, Gianpaolo Evangelista |
| Detection and identification of sparse audio tampering using distributed source coding and compressive sensing techniques | Giorgio Prandi, Giuseppe Valenzise, Marco Tagliasacchi, Augusto Sarti |
| Physical parameters of an oscillator changed by active control | Henri Boutin, Charles Besnainou |
| Automatic alignment of music audio and lyrics | Annamaria Mesaros, Tuomas Virtanen |
| A modified FM synthesis approach to bandlimited signal generation | Joseph Timoney, Victor Lazzarini, Tom Lysaght |
| Spectutils - An Audio Signal Analysis and Visualization Toolkit for GNU Octave | Kai Lassfolk, Jaska Uimonen |
| Channel separation based on spatial analysis | Dae-young Jang, Jeongpyo Hong, Hoe-Kyung Jung, Kyeongok Kang |
| The PluckSynth Touch String | Fredrik Eckerholm, Gianpaolo Evangelista |
| Score level timbre transformations of violin sounds | Alfonso Perez, Jordi Bonada, Esteban Maestre, Enric Guaus, Merlijn Blaauw |
| Instrument Reusability Scheme in PWGLSynth | Mikael Laurson, Vesa Norilo, Mika Kuuskankare |
| Inverting dynamics compression with minimal side information | Benoit Lachaise, Laurent Daudet |
| Identifying function-specific prosodic cues for non-speech user interface sound design | Kai Tuuri, Tuomas Eerola |
| Detecting arrivals within room impulse responses using matching pursuit | Guillaume Defrance, Laurent Daudet, Jean-Dominique Polack |
| Quality Estimation Of Time-Scale Modified Signals | Margus Muskat |
| Acoustic Features for Music Piece Structure Analysis | Jouni Paulus, Anssi Klapuri |
| Real-time detection and visualization of clarinet bad sounds | Aggelos Gkiokas, Kostas Perifanos, Stefanos Nikolaidis |
| Hybrid Room Impulse Response Synthesis in Digital Waveguide Mesh Based Room Acoustics Simulation | Damian Murphy, Mark Beeson, Simon Shelley, Alastair Moore, Alex Southern |
| Sound Transformation by Descriptor using an Analytic Domain | Graham Coleman, Jordi Bonada |
| Multiple-F0 tracking based on a high-order HMM note model | Wei-Chen Chang, Alvin Yu Wen Su, Chunghsin Yeh, Axel Roebel, Xavier Rodet |
| Multi-Feature Modeling of Pulse Clarity: Design, Validation, and Optimisation | Olivier Lartillot, Tuomas Eerola, Petri Toiviainen, Jose Fornari |
| Time and Pitch Scale Modification: A Real-time Framework and Tutorial | Dan Barry, David Dorran, Eugene Coyle |
| Wide-band Harmonic Sinusoidal Modeling | Jordi Bonada |
| Inferring the hand configuration from hand clapping sounds | Antti Jylhä, Cumhur Erkut |
| A supervised learning approach to ambience extraction from mono recordings for blind upmixing | Christian Uhle, Christian Paul |
| Simulation of piano sustain-pedal effect by parallel second-order filters | Stefano Zambon, Heidi-Maria Lehtonen, Balázs Bank |
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